My protagonist has two friends with similar personalities. Should I cut one or keep them both?
Published: March 1, 2012
Q: My protagonist has two friends. Their personalities are similar, but they’re still different characters. It seems like a lot of work to cut one out and I don’t see the harm in keeping them both in the story. What do you think?
A: Instead of considering the harm in keeping both characters, consider what you stand to lose in cutting a character. It may seem like the same issue, but the shift in thinking is bound to give the story—and the second friend’s inclusion—a much closer scrutiny.
If one character is cut, do you lose anything that’s essential to telling this story? Can the other friend serve the purpose of both? Characters should be distinct and they must also be necessary to the story.
Don’t think of this from the standpoint of the writer’s work. In cutting a character, you may create some significant extra work. For one thing, you’ll have to reconsider every scene in which that character appears. Instead, look at this from your reader’s standpoint. You’re asking the reader to engage with both these characters. You’re characterizing them to the extent that they’re similar and distinct from one another. By giving them attention on the page, they’re gaining emotional weight. You’re creating expectations for the reader. Does the story follow through on those expectations?
I don’t mean to imply that all situations like this need a generous trimming. But really put both characters to the test before making your decision. You want to cut all the fat in your manuscript. Though removing a character makes that task more difficult, your story will be stronger as a result.
• • •
Brandi Reissenweber teaches fiction writing and reading fiction at Gotham Writers' Workshop and authored the chapter on characterization in Gotham's Writing Fiction: The Practical Guide
. Her work has been published in numerous journals, including
Phoebe, North Dakota Quarterly and
was a James C. McCreight Fiction Fellow at the Wisconsin Institute for
Creative Writing and has taught fiction at New York University,
University of Wisconsin and University of Chicago. Currently, she is a
visiting professor at Illinois Wesleyan University.