April 2011

April 2011 cover

The Writer

The essential resource for writers

Join thousands of successful writers when you subscribe to The Writer magazine. Each month The Writer is full of features you can use to improve your writing, including before-and-after examples of improved writing, more literary markets than ever before, practical solutions for writing problems, selected literary magazine profiles, tips from famous authors and hands-on advice.

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Features
By Rachel Eddey

Show some finesse and a talent for telling a story and any subject can be game for a salable personal essay, our writer says.

A publisher's new spin on a proposal leads to a LEGO memoir
By Jonathan Bender

After 15 rejections from publishers, the writer’s proposal finally won an offer—but it wasn’t exactly for the book he had proposed.

By Jacob M. Appel

Immersing yourself in a non-writing career can provide rich material for a literary one, says this physician and writer.

Poetry and the art of sound
By Marilyn Taylor

Our accomplished poet offers advice on how to manipulate the musicality of language to help convey your meaning.

Finding the right design
By Luke Reynolds
For David Wroblewski, author of the hit novel The Story of Edgar Sawtelle, the parallels between developing software and writing fiction are striking.
How to untie your writing knots
By Jeff Shear

They’re different than writer’s block, but their main cause—having too much to say—can similarly make your work grind to a halt.

How to cope with rejection
By Moira Allen

Learn why editors say no, how to decipher their letters, and what you can and should do to move on.

Feasting at a writers conference
By Jeffrey N. Gingold

A conference is a great place to scout out an editor to hire, or to form a writers group for the future. Check out those ideas, and seven other ways to fill your literary plate.

COVER STORY: Secrets to selling your first book
By Susan Shapiro

An eight-time author offers a wealth of tips for clueing in to the right things and landing a publishing contract.

Rosanne Cash: In love with songs—and words
By Randy Rudder

When not busy as one of the top names in country music, Rosanne Cash has found “the melody of prose” in memoir, short fiction and essays.

Journaling without the tedium
By Ruth O'Neil

The writer has found some specific approaches that put the creativity, ideas and enjoyment back into journal-keeping.

Writer at Work: 'What really happened'
By Paola Corso

Despite her fictional license, a writer wrestled with the truth of how her great-grandparents were really killed in Italy.

By Kelly James-Enger

So, you screwed up something in your article. Or you blew a deadline. What to do? Don’t worry. You can still save face with these strategies.

Connecting with nature markets
By Melissa Hart

Editors in this topical area are looking for surprising environmental stories that feature a human element.

Literary Spotlight: The Gettsburg Review
By Melissa Hart
This month’s spotlight is on the literary journal The Gettysburg Review, describing its tone, preferences and contributors.
Departments
Editor's Notes
When editors say 'no'
By Jeff Reich
Take Note
Ask The Writer: At what point should I show my work to someone?
By Brandi Reissenweber
Dueling With Words: How to (at least try to) schedule a novel
By Lisa Shearin
A website helps writers raise money
By Sarah C. Lange
A documentary on 'bad writing' explores the creative process
By Natalia M. Sylvester
WriteStuff
A reference book worthy of shelf space
By Chuck Leddy
Book Review: Sol Stein's Reference Book for Writers by Sol Stein
A teacher instills words of wisdom
By Steve Weinberg
Book Review: Unless It Moves the Human Heart: The Craft and Art of Writing by Roger Rosenblatt
Markets
Markets
By Martha Lundin

This month, our guide to writers conferences, plus tips from the conference organizer of Bouchercon and the board president of Sisters in Crime, a crime-writers’ association for women.

How I Write
Alisa Valdes-Rodriguez
By Suchi Rudra

Bestselling novelist Alisa Valdes-Rodriguez prefers to craft a detailed outline—then immerse herself in 15- to 20-hour days of writing.

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