Novelist Susanna Moore confronts topics that make readers shiver while firing up their imaginations.
A master of the essay form offers advice about grappling with words.
“The first draft is like throwing a hunk of clay onto the wheel. It’s literally getting down the raw material, and revision is my way of going back to shape something from that.”
When a poet stumbles with his own voice, he summons the voices of others.
Working as a bookseller has unintended perks, such as stumbling upon titles you may never have picked up before.
Screenwriter Julian Fellowes is the singular voice behind the lush PBS series Downton Abbey. His philosophy is grounded in something less extravagant: believing in yourself as a writer.
Paying close attention to verbs can enliven writing. Writer and editor Constance Hale explains the vex, hex, smash and smooch of language’s punchiest words.
How can you get assignments quickly? Spend seven days focusing exclusively on marketing and then get ready to rock.
Q: How do I begin a story that needs a lot of explanation? For example, when it takes place in another time or if the character has an extraordinary skill? A: In writing any story, you have to start somewhere and fill in the background details as you go. You can’t cram everything into the first …