“What is most important is psychological or soul understanding of characters. I’m not very concerned with what they look like so much as I am concerned with who they are on the deepest level.”
How to find the story between cultural pressure and personal desire.
A grandson’s memoir presents a softer, gentler side of a baseball legend.
“Reading other people’s work helps me as a writer by reminding me that there’s always someone better out there.”
The writers in this issue are known for the power stories they write and the powerful ways they pull us toward their ideas. We travel with them to worlds beyond our own imaginations. And sometimes to worlds buried deep in the recesses of our imaginations.
Writers of all genres can turn to history for inspiration.
Our tips for querying a magazine editor
The novelist’s workshop takes writing from the mat to the page.
Nina Burleigh’s NYT investigative murder story reads like fiction. But it isn’t.
Roy Peter Clark wrote the February 2014 article “Last Writes” for The Writer.