Screenwriter Callie Khouri looks for the story in the score and scripts of the hit TV show Nashville.
“I’m one of those people who was born wanting to tell stories.”
Although she has lived in New York City for most of her life, Elizabeth Strout looks to her home state of Maine for stories. Turns out, you can get there from here.
Colum McCann shares expertise on the necessity of plot, intensity of language and the grand paradox of success.
“The most important thing I’ve learned is to stay curious, to stay open to what the characters bring to the story – don’t be overly determined to control the story but rather let it evolve organically.”
While studying for her master’s degree at Stanford University, Alice Hoffman was approached by Ted Solotaroff, founder of American Review literary journal, and she quickly learned two cardinal rules of publication: Write often and write fast.
“Each narrative you tell has to discover itself completely anew.”
Take a tip from Aaron Sorkin. Be bold. You may even get a language named after you.
For five seasons, Vince Gilligan has channeled his inner monster to terrify TV audiences. As the series ends, he reflects on the process of raising hell and retiring a hit show.
“What is more important to me are the breaks I take during the day while writing.”