Ask The Writer

E-mail Article to a FriendPrint ArticleBookmark and Share

Is an antagonist required?; When do you need an ISBN?

ONLINE EXCLUSIVE
By Brandi Reissenweber
Published: October 5, 2010
Brandi Reissenweber
Brandi Reissenweber
Q: Does a story or novel have to have an antagonist?

A: An antagonist is a specific entity that continually stands in opposition to the protagonist or main character. Not all works of fiction include an antagonist, but many do. An antagonist may be an individual character or a group of characters. In Ken Kesey’s novel One Flew Over the Cuckoo’s Nest, the antagonist, Nurse Ratched, and the main character, a patient named Randle McMurphy, butt heads as McMurphy challenges Nurse Ratched’s authoritative and often dehumanizing power over the ward. An antagonist need not be human. In Stephen King’s novel Cujo, a rabid St. Bernard traps Donna and her son in their car. In Cormac McCarthy’s The Road, a novel that follows a young boy and his father in a harsh post-apocalyptic world, the bleak setting and the force of desperation that it spurs may be seen as the antagonist.

An antagonist is not always a villainous character. Some are downright kind. In Raymond Carver’s short story “Cathedral,” the narrator dreads the arrival of his friend’s wife, a blind man. The narrator is the story’s main character, but if anyone is unlikeable in “Cathedral,” it’s him. The blind man is the antagonist because his visit causes such unrest for the main character.  

While your fiction doesn’t have to include an antagonist, it must have a series of compelling and persuasive obstacles that the main character must negotiate. What’s the difference? An antagonist is a specific presence that returns again and again throughout the fiction. Randle McMurphy always has to contend with Nurse Ratched in Kesey’s One Flew Over the Cuckoo’s Nest. In McCarthy’s The Road, the bleak setting and desperation is a constant threat to the young boy and his father.

Some fictions don’t have one main entity working against the character, but rather a series of them. In Joyce Carol Oates’ We Were the Mulvaneys, an idyllic family unravels after their daughter, Marianne, is raped. While the family struggles to heal, they are faced with many obstacles: the father’s inability to cope with his overwhelming anger and grief, the secrets they keep from one another and the mother’s choice to side with her husband over her daughter.  

The antagonist is a compelling way to create formidable obstacles for the main character, but it’s not the only way.

Q: Do I need to get an ISBN number for my unpublished manuscript?

A: No, ISBNs are for published books. An ISBN (International Standard Book Number) is a 13-digit number that uniquely identifies a book. The number is found on a book’s copyright page and, sometimes, on the back cover. Embedded in those digits is information about the title, edition and publisher, which makes it easier to identify, market and track the book.

Once you do publish the book, you will want an ISBN. Usually you don’t have to worry about this as the publisher secures the ISBN. However, if you’re the publisher, which may be the case when self-publishing, you’ll need to purchase the ISBN. Bowker is the only official source for ISBNs in the United States. At the website—www.isbn.org—you can obtain an ISBN instantly. If you’re the publisher and you’re located in another country, you’ll need to track down that country’s official source.
Brandi Reissenweber teaches fiction writing and reading fiction at Gotham Writers' Workshop and authored the chapter on characterization in Gotham's Writing Fiction: The Practical Guide. Her work has been published in numerous journals, including Phoebe, North Dakota Quarterly and Rattapallax. She was a James C. McCreight Fiction Fellow at the Wisconsin Institute for Creative Writing and has taught fiction at New York University, University of Wisconsin and University of Chicago. Currently, she is a visiting professor at Illinois Wesleyan University.

Send your questions on the craft of creative writing to writingquestions@writermag.com. All of Brandi's other Q&A columns are available to registered users.
User Comments
Only registered members of WriterMag.com are allowed to comment on this article. Registration is FREE and only takes a couple minutes.

Register Today!
 
DENNIS BERGENDORF from INDIANA said:
The ancient Greeks taught us that Drama (of which we all write) is conflict with one or more antogonists: Other human beings; nature; God; one's self...
4 stars
WESTLEY TURNER from CALIFORNIA said:
Complete (though brief) response to the ISBN question. Thank you.
The antagonist discussion approaches the issue from a different point of view, which I appreciate. I would have considered ANYthing opposing the main character (the protagonist) as being the antagonist, but Brandi differentiates a single opposition from multiple different sources. I hadn’t considered the distinction. Thank you, again!
Free Newsletter
Get our free newsletter