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August 2008 |
The Writer
The essential resource for writers
Join thousands of successful writers when you subscribe to The Writer magazine. Each month The Writer is full of features you can use to improve your writing, including before-and-after examples of improved writing, more literary markets than ever before, practical solutions for writing problems, selected literary magazine profiles, tips from famous authors and hands-on advice.
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Features 'A good script moves me' By
Charles Davis For veteran Hollywood story editor Christopher Lockhart, a quality screenplay leaves him with an emotional experience, not indifference |
pg. 18 |
Archive: In writing, persistence is key By
Andre Dubus III If you stick to a schedule and bring to your work all that you have, then you're a writer |
pg. 21 |
Ah, the fine art of self-sabotage By
Lauren Kessler The 10 stupid things writers do to mess up their lives |
pg. 22 |
Conflict: What your readers want By
William Kowalski This essential ingredient is the first thing to check for if you feel your material falling flat |
pg. 25 |
Entering the dream of a memoir By
Melissa Hart Iconic writer-teacher Natalie Goldberg finds value in fascinating writing about ordinary lives |
pg. 26 |
Step by Step: Make your readers stick around By
John Edward Ames Once you're past the opening hook, how do you keep them engaged? Here are some tips from a veteran fiction writer |
pg. 32 |
Step by Step: Techniques to tantalize By
Beverly J. Letchworth How to sustain the reader's attention in a children's story |
pg. 35 |
A cautionary tale about a flimsy source By
Norman Lobsenz Follow our writer's research adventure, then learn a few ways to avoid 'quicksand' |
pg. 29 |
13 strategies to get you through a dry spell By
John K. Borchardt When you run short of ideas, try one of these techniques to keep your freelance business going strong |
pg. 30 |
Commissions challenge journalistic principles By
Steve Weinberg How can writers of institutional histories balance the requirements of a good story with the desires of their employer? |
pg. 37 |
Blend history & imagination By
Mort Castle A contemporary fiction approach mixes fantasy and recorded fact--with sometimes wild results. Care to try it? |
pg. 39 |
Departments Letters Using notes and scraps By
various contributors |
pg. 7 |
Take Note To plot or not: The outline debate By
Chuck Leddy, others |
pg. 8 |
Get started Put a nonfiction book idea to the test By
Mary E. DeMuth |
pg. 13 |
Breakthrough Writer's success with rescue-squad memoir was no accident By
Michael Morse |
pg. 14 |
Poet to poet How to create emotional landscapes By
Marilyn Taylor Precise word choices signal mood and tone to make a poem resonate with readers |
pg. 15 |
Freelance Success How to win over an editor By
Kelly James-Enger Establish a good relationship to turn a one-time assignment into a regular gig |
pg. 42 |
WriteStuff Writers weigh in on how they work By
Chuck Leddy, Steve Weinberg, Bill Williams Reviews of 'Off the Page: Writers Talk About Beginnings, Endings, and Everything in Between,' edited by Carole Burns; 'By Cunning & Craft: Sound Advice and Practical Wisdom for Fiction Writers' by Peter Selgin; 'Freelancing for Newspapers: Writing for an Overlooked Market' by Sue Fagalde Lick |
pg. 44 |
Market focus 'Feel-good' stories warm the heart By
Ruth McHaney Danner From your local newspaper to the latest anthology, markets seek positive pieces |
pg. 47 |
Literary spotlight Shenandoah By
Melissa Hart Review celebrates work 'where prose and poetry meet' |
pg. 49 |
Market listings Contemporary culture, current events/politics, ethnic/multicultural, gay/lesbian, literary magazines and regional/city mags By
Compiled by Martha Lundin |
pg. 50 |
How I write Archer Mayor By
Carolyn Haley |
pg. 58 |
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