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February 2008 |
The Writer
The essential resource for writers
Join thousands of successful writers when you subscribe to The Writer magazine. Each month The Writer is full of features you can use to improve your writing, including before-and-after examples of improved writing, more literary markets than ever before, practical solutions for writing problems, selected literary magazine profiles, tips from famous authors and hands-on advice.
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Features Writing from the heart By
Kathy Pohl When tragedy strikes, friendship becomes a mixed blessing in Ann Packer's heartbreakingly poignant novels |
pg. 18 |
Archive: My rules for writing By
Patricia Highsmith An award-winning author of suspense novels offers tips on plot, pace, atmosphere and character--plus thoughts on the writing life |
pg. 22 |
Step by Step: A sometimes annoying POV that sometimes works By
Susan Breen First-person present tense may be overused and hard to do well, but it might also be just what your story needs |
pg. 25 |
Get your self-published book noticed By
Jocelyn Maeve Kelley Ready for a challenge? Here are some thoughts on how to generate publicity |
pg. 27 |
Promotional services can ease some the self-marketing burden By
Barbara DeMarco-Barrett For authors trying to get their name out there, here are some options that offer a cheaper 'middle ground' |
pg. 28 |
Now is the time to write online By
Thom Didato The editor of a respected literary journal on the Internet discusses some of the potential benefits of this growing publishing area |
pg. 30 |
Writing like the Dickens By
Thomas C. Renzi Use connotative words skillfully and you can get description to work on many levels--and make it a lot more than you say |
pg. 34 |
Freelancing: Working the phone By
Christine L. Pollock What one veteran of telephone interviews has learned about this task |
pg. 37 |
Departments Editor's Notes Riding the Web wave By
Jeff Reich |
pg. 6 |
Letters Creative nonfiction, and other letters By
various contributors |
pg. 7 |
Take Note How presidential candidates shape language, and other stories By
Chuck Leddy, others |
pg. 8 |
Get Started Fill out your portfolio with corporate writing By
Jill Russell |
pg. 13 |
Breakthrough First an obstacle course, then publication By
Gail Lukasik |
pg. 14 |
Poet to Poet Play up art with a poetic approach By
Marilyn Taylor Ekphrastic poetry responds to a work of art by deepening its meaning |
pg. 15 |
Freelance Success 'How can I be a contributing editor?' By
Susan M. Brackney Here's advice for getting on a masthead--and a look at the perks and drawbacks |
pg. 40 |
WriteStuff A screenwriter's tips on storytelling By
Chuck Leddy, Steve Weinberg Reviews of The Anatomy of Story by John Truby and The Memoir and the Memoirist by Thomas Larson |
pg. 43 |
Market Focus Break into local arts reviewing By
Linda Simon Here are tips for freelancers writing about theater, dance, music or visual art |
pg. 45 |
Literary Spotlight McSweeney's By
Gregg Rosenblum Magazine blends quirky content and edgy design |
pg. 48 |
Markets Associations, business, career development, syndicates, and trade/technical By
Compiled by Martha Lundin |
pg. 49 |
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