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July 2010 |
The Writer
The essential resource for writers
Join thousands of successful writers when you subscribe to The Writer magazine. Each month The Writer is full of features you can use to improve your writing, including before-and-after examples of improved writing, more literary markets than ever before, practical solutions for writing problems, selected literary magazine profiles, tips from famous authors and hands-on advice.
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Features Get Started: Make your sad story a universal one By
Jessica Handler
To touch readers' hearts, you need to "find the universal in the personal" and apply the tools of craft. Here's how.
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pg. 11 |
Breakthrough: Adaptability, flexibility, focus smoothed her way By
Lisa Maloney
How a systematic, trial-and-error approach helped a writer break into full-time writing.
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pg. 12 |
Off the Cuff: An editing job improved my writing By
Linda K. Wertheimer
A former newspaper editor shares important lessons she learned on "the other side of the fence"—lessons she's put into practice as a freelance writer.
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pg. 13 |
By
Debbie Swanson
What's a freelance writer to do when an assigned article sits and sits without pay?
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pg. 15 |
By
Jack Smith
For Tim O'Brien, the Vietnam War has remained a crucible in his fiction, but the power of imagination and memory, and "our elusive interior worlds," loom large, too.
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pg. 16 |
Archive: Make your fiction truthful By
Ursula K. Le Guin
By pairing an active imagination with what you already know, you can create an enjoyable, realistic story—even if you're writing a fantasy tale.
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pg. 20 |
By
Meg Chittenden
Whether your fictional place is real or made up, our much-published writer has faced the issue of setting many times.
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pg. 20 |
By
Joni B. Cole
"Toxic feedback" has justifiably gotten a bad name. But the more constructive variety, if you approach it right, can become an invaluable resource in helping you write more—and better.
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pg. 24 |
By
Bharti Kirchner
Learn from this writer and others why it may help to get out of your comfort zone and write in many genres. Among other things, she says, it keeps your income varied and your mind fresh.
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pg. 26 |
By
Stefanie Wass
Learn how one freelance writer put her new knowledge to work in landing markets.
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pg. 29 |
By
Ashley Shelby
Here's one author's suggestion for a process you can use to improve your nonfiction.
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pg. 30 |
By
Staton Rabin
In history-based novels and screenplays, how much can you embellish the facts? Our writer, who has worked in both genres, shares some observations.
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pg. 32 |
Business Freelancing: Secrets to reeling in sales leads By
Robert W. Bly
From a top copywriter, tips on how to satisfy your clients with results-driven copy for direct mail, e-mail marketing and other assignments.
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pg. 34 |
Market Focus: Reaching out to regionals By
Kristine Hansen
Assignments from regional publications can get you through tough economic times—and provide a sense of community, too.
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pg. 38 |
Literary Spotlight: Electric Literature By
Melissa Hart
Film and fiction merge provocatively in the year-old literary journal Electric Literature. Learn about its tone, editorial preferences and contributors.
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pg. 40 |
Departments Editor's Notes A monthly feast By
Jeff Reich |
pg. 6 |
Letters Letters from our readers |
pg. 7 |
Take Note Something borrowed: The roots of the 'new' plagiarism By
Chuck Leddy, Stephanie Dickison, John K. Borchardt
How the Internet is tempting writers to rely on "somebody else's legwork," plus Stephanie Dickison's regular bimonthly column on the freelance life, how a "sniff test" can save old books, and more.
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pg. 8 |
WriteStuff Writing your novel, part 2 By
Stephen Delaney A review of The Weekend Novelist Rewrites the Novel: A Step-by-Step Guide to Perfecting Your Work by Robert J. Ray. |
pg. 41 |
A publishing memoir for 'millennials' By
Erika Dreifus A review of Publish This Book: The Unbelievable True Story of How I Wrote, Sold and Published This Very Book by Stephen Markley. |
pg. 37 |
Markets Agents, publishers, hobbies/collecting, humor, literary and writing/publishing By
Martha Lundin |
pg. 41 |
How I write Audrey Niffenegger By
Robert Allen Papinchak For Audrey Niffenegger, author of the popular novel The Time Traveler's Wife, writing is "pure play, a way of recording daydreams." |
pg. 58 |
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