June 2010

June 2010

The Writer

The essential resource for writers

Join thousands of successful writers when you subscribe to The Writer magazine. Each month The Writer is full of features you can use to improve your writing, including before-and-after examples of improved writing, more literary markets than ever before, practical solutions for writing problems, selected literary magazine profiles, tips from famous authors and hands-on advice.

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Features
By Nora Raleigh Baskin

Getting the voice, the point of view, and the ending right are among this author's key tips.

pg. 13
By Alan Gratz

In crafting his award-winning YA novel, the writer used some key organizing techniques he learned in writing documentation for A&E's City Confidential.

pg. 14
Off the Cuff: Journaling without the journal
By Michelle Wildgen

Cringing more than benefiting from attempts at journaling, the writer learned instead to "cradle" an unformed idea in her mind before starting to write.

pg. 15
Poet to Poet: Harness the power of line breaks
By Marilyn Taylor

Line breaks help you set the pace, call attention to important words and images, and more.

pg. 17
Interview: When setting becomes character
By Sharon McDonnell
John Berendt, author of the smash bestseller Midnight in the Garden of Good and Evil, uses cities as protagonists, in narratives populated by colorful figures. Venice is his latest setting.
pg. 20
Archive: Dedicate yourself to a writing apprenticeship
By Jane Yolen
Committing yourself to writing means focus and concentration, even if only for a few hours a day. In this way you can master the tools of the trade.
pg. 24
By Mimi Schwartz

For creative-nonfiction writers, it can retrieve memories, deepen sensory details, add layers of perspective, and more. Reason enough to consider it?

pg. 26
By Jordan E. Rosenfeld

Learn how to play literary sleight of hand like a magician—by building a masterful plot with well-placed turning points.

pg. 28
By Kathryn Lay

In writing for young readers, these two key elements should walk hand in hand, even when one takes the leading role.

pg. 31
By Judy Gruen

Her third book project was the charm for this humor writer, who offers some practical tips on the do-it-yourself option.

pg. 33
By Jessie Coleman

A writer who's been there offers a primer of useful tips on getting your self-published book into the chains.

pg. 35
By Nick Mamatas

Why do its writers persist? One practitioner pays tribute to its wild creative freedom and the natural high of nailing its concentrated effect.

pg. 36
By Leslie Larson

A writer's plan for tying up the elements of her novel ran into an obstacle course. She overcame the problems and got her book published.

pg. 38
Freelance Success: Save time with 7 writing templates
By Kelly James-Enger

By tweaking proven formulas for regular correspondence, you'll work more efficiently. Here's how to do it.

pg. 40
By Roy Stevenson

Enthusiasts who pitch fresh topics are welcome contributors to this popular niche. You don't have to be an expert to apply.

pg. 46
Literary Spotlight: storySouth
By Melissa Hart
This month's spotlight is on storySouth, an online literary journal devoted to "provocative meditations on the Southern experience." Learn about its tone, preferences and contributors.
pg. 48
Departments
Editor's Notes
The 'new' DIY option
By Jeff Reich
pg. 6
Letters
Letters from our readers
pg. 7
Take Note
Are literary magazines relevant to today's readers?
By Chuck Leddy, Erika Dreifus, Beth Stefanik Morrissey

An editor touches a nerve with his pronouncement on the future of literary magazines, plus a few tips on getting rid of writerly clutter, Lisa Shearin's bimonthly column, an excerpt from a new writing book, and more.

pg. 8
WriteStuff
An absorbing look at Carver's life
By Erika Dreifus, Chuck Leddy
Reviews of Raymond Carver: A Writer's Life by Carol Sklenicka and How to Write a Damn Good Thriller: A Step-by-Step Guide for Novelists and Screenwriters by James N. Frey.
pg. 43
Markets
Agents, literary magazines, publishers, family/parenting and children's magazines
By Compiled by Martha Lundin
pg. 49
How I Write
By Elfrieda Abbe

Short-story writer Daniyal Mueenuddin has learned to "put one foot in front of the other" and ignore the mountain ahead.

pg. 58
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