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June 2010 |
The Writer
The essential resource for writers
Join thousands of successful writers when you subscribe to The Writer magazine. Each month The Writer is full of features you can use to improve your writing, including before-and-after examples of improved writing, more literary markets than ever before, practical solutions for writing problems, selected literary magazine profiles, tips from famous authors and hands-on advice.
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Features By
Nora Raleigh Baskin
Getting the voice, the point of view, and the ending right are among this author's key tips.
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pg. 13 |
By
Alan Gratz
In crafting his award-winning YA novel, the writer used some key organizing techniques he learned in writing documentation for A&E's City Confidential.
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pg. 14 |
Off the Cuff: Journaling without the journal By
Michelle Wildgen
Cringing more than benefiting from attempts at journaling, the writer learned instead to "cradle" an unformed idea in her mind before starting to write.
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pg. 15 |
Poet to Poet: Harness the power of line breaks By
Marilyn Taylor
Line breaks help you set the pace, call attention to important words and images, and more.
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pg. 17 |
Interview: When setting becomes character By
Sharon McDonnell John Berendt, author of the smash bestseller Midnight in the Garden of Good and Evil, uses cities as protagonists, in narratives populated by colorful figures. Venice is his latest setting.
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pg. 20 |
Archive: Dedicate yourself to a writing apprenticeship By
Jane Yolen Committing yourself to writing means focus and concentration, even if only for a few hours a day. In this way you can master the tools of the trade.
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pg. 24 |
By
Mimi Schwartz
For creative-nonfiction writers, it can retrieve memories, deepen sensory details, add layers of perspective, and more. Reason enough to consider it?
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pg. 26 |
By
Jordan E. Rosenfeld
Learn how to play literary sleight of hand like a magician—by building a masterful plot with well-placed turning points.
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pg. 28 |
By
Kathryn Lay
In writing for young readers, these two key elements should walk hand in hand, even when one takes the leading role.
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pg. 31 |
By
Judy Gruen
Her third book project was the charm for this humor writer, who offers some practical tips on the do-it-yourself option.
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pg. 33 |
By
Jessie Coleman
A writer who's been there offers a primer of useful tips on getting your self-published book into the chains.
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pg. 35 |
By
Nick Mamatas
Why do its writers persist? One practitioner pays tribute to its wild creative freedom and the natural high of nailing its concentrated effect.
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pg. 36 |
By
Leslie Larson
A writer's plan for tying up the elements of her novel ran into an obstacle course. She overcame the problems and got her book published.
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pg. 38 |
Freelance Success: Save time with 7 writing templates By
Kelly James-Enger
By tweaking proven formulas for regular correspondence, you'll work more efficiently. Here's how to do it.
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pg. 40 |
By
Roy Stevenson
Enthusiasts who pitch fresh topics are welcome contributors to this popular niche. You don't have to be an expert to apply.
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pg. 46 |
Literary Spotlight: storySouth By
Melissa Hart This month's spotlight is on storySouth, an online literary journal devoted to "provocative meditations on the Southern experience." Learn about its tone, preferences and contributors. |
pg. 48 |
Departments Editor's Notes The 'new' DIY option By
Jeff Reich |
pg. 6 |
Letters Letters from our readers |
pg. 7 |
Take Note Are literary magazines relevant to today's readers? By
Chuck Leddy, Erika Dreifus, Beth Stefanik Morrissey
An editor touches a nerve with his pronouncement on the future of literary magazines, plus a few tips on getting rid of writerly clutter, Lisa Shearin's bimonthly column, an excerpt from a new writing book, and more.
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pg. 8 |
WriteStuff An absorbing look at Carver's life By
Erika Dreifus, Chuck Leddy Reviews of Raymond Carver: A Writer's Life by Carol Sklenicka and How to Write a Damn Good Thriller: A Step-by-Step Guide for Novelists and Screenwriters by James N. Frey. |
pg. 43 |
Markets Agents, literary magazines, publishers, family/parenting and children's magazines By
Compiled by Martha Lundin |
pg. 49 |
How I Write By
Elfrieda Abbe
Short-story writer Daniyal Mueenuddin has learned to "put one foot in front of the other" and ignore the mountain ahead.
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pg. 58 |
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