May 2010

May 2010

The Writer

The essential resource for writers

Join thousands of successful writers when you subscribe to The Writer magazine. Each month The Writer is full of features you can use to improve your writing, including before-and-after examples of improved writing, more literary markets than ever before, practical solutions for writing problems, selected literary magazine profiles, tips from famous authors and hands-on advice.

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Features
By Debbie Swanson
Polished communication skills are key to a freelancer's success. Here are some tips for establishing a good rapport with your long-distance counterparts.
pg. 13
By Barbara Weddle

On her path to publication, the writer learned never to underestimate her ability to write something that others might want to read.

pg. 14
Off the Cuff: Sometimes you have to let a book go
By Valerie Sloane

Even when a project stalls, you can learn how to become a stronger writer.

pg. 15
By Dick Dickinson
To improve your concentration, word choice and sense of voice, try turning the clock way back—to the dipping pen.
pg. 17
Interview with Aleksandar Hemon: Rescued by language
By Sarah Anne Johnson

Stranded in the U.S. during the Bosnian conflict, Aleksandar Hemon has managed to dazzle critics with his unique sensibilities and inventiveness.

pg. 18
By John Edward Ames
Tap into readers' fears with five techniques for an emotionally rich story.
pg. 22
Step by Step Get started with pre-writing techniques
By Robert Raymer

They're a basic way to overcome fear, and to develop and organize your ideas.

pg. 24
By Sam McCarver

A writing teacher and novelist shows you how to avoid the most common errors, which range from problems with backstory and narration to weaknesses in plotting and characterization.

pg. 26
By Roy Stevenson

A resourceful writer offers seven strategies for making these publications pay off.

pg. 28
By Caitlin Kelly

Here are 11 tips that can help freelancers strengthen their writing and research skills.

pg. 30
By George Gurtner

You begin by developing the writer's sense of alertness to potential stories, says this veteran magazine columnist.

pg. 32
Freelancing: Learn from the greatest magazine writer in America

The label is sometimes applied to Gary Smith, and nonfiction writers can extract some valuable lessons from his work.

pg. 34
By Liz Scheier

A former sci-fi/fantasy editor at Penguin and Random House describes the common writing and marketing errors that speculative-fiction authors make.

pg. 36
By Kris Saknussemm

A novelist known for his "mind-bending" originality takes aim at the most common of all literary aphorisms.

pg. 38
Business Freelancing How to evaluate potential clients
By Robert W. Bly

In five simple steps, you can quickly determine whether or not a lead is worth pursuing.

pg. 40
By Tricia Despres

These assignments look like feature articles but promote a publication's advertisers.

pg. 45
Literary Spotlight: The Cincinnati Review
By Melissa Hart
This month's spotlight is on the somewhat whimsical literary journal The Cincinnati Review, describing its tone, contributors and editorial preferences.
pg. 47
Departments
Editors Note
Give it your best shot
pg. 6
Letters
Letters from our readers
Take Note
Get involved: Play an active part in the writing community
By Lori A. May, others

How to get involved in the writing community, an organization founded to promote the art and craft of biography, plus other literary notes, Stephanie Dickison's regular bimonthly column about freelancing, an excerpt from a new writing book, and more.

pg. 8
WriteStuff
Insiders discuss writing for the screen
By Chuck Leddy, Elfrieda Abbe, Melissa Hart
Reviews of Tales From the Script: 50 Hollywood Screenwriters  Share Their Stories, edited by Peter Hanson and Paul Robert Herman; Illuminating Fiction: Today's Best Writers of Fiction, edited by Sherry Ellis; and Writers and Their Notebooks, edited by Diana M. Raab.
pg. 42
Market listings
Writing contests
Compiled by Martha Lundin
pg. 48
How I write
By Elizabeth King Humphrey
For Elizabeth Flock, author of Me & Emma and other novels, writing "goes to the core of who you are."
pg. 58
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