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May 2010 |
The Writer
The essential resource for writers
Join thousands of successful writers when you subscribe to The Writer magazine. Each month The Writer is full of features you can use to improve your writing, including before-and-after examples of improved writing, more literary markets than ever before, practical solutions for writing problems, selected literary magazine profiles, tips from famous authors and hands-on advice.
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Features By
Debbie Swanson Polished communication skills are key to a freelancer's success. Here are some tips for establishing a good rapport with your long-distance counterparts.
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pg. 13 |
By
Barbara Weddle
On her path to publication, the writer learned never to underestimate her ability to write something that others might want to read.
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pg. 14 |
Off the Cuff: Sometimes you have to let a book go By
Valerie Sloane
Even when a project stalls, you can learn how to become a stronger writer.
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pg. 15 |
By
Dick Dickinson To improve your concentration, word choice and sense of voice, try turning the clock way back—to the dipping pen.
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pg. 17 |
Interview with Aleksandar Hemon: Rescued by language By
Sarah Anne Johnson
Stranded in the U.S. during the Bosnian conflict, Aleksandar Hemon has managed to dazzle critics with his unique sensibilities and inventiveness.
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pg. 18 |
By
John Edward Ames Tap into readers' fears with five techniques for an emotionally rich story.
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pg. 22 |
Step by Step Get started with pre-writing techniques By
Robert Raymer
They're a basic way to overcome fear, and to develop and organize your ideas.
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pg. 24 |
By
Sam McCarver
A writing teacher and novelist shows you how to avoid the most common errors, which range from problems with backstory and narration to weaknesses in plotting and characterization.
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pg. 26 |
By
Roy Stevenson
A resourceful writer offers seven strategies for making these publications pay off.
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pg. 28 |
By
Caitlin Kelly
Here are 11 tips that can help freelancers strengthen their writing and research skills.
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pg. 30 |
By
George Gurtner
You begin by developing the writer's sense of alertness to potential stories, says this veteran magazine columnist.
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pg. 32 |
Freelancing: Learn from the greatest magazine writer in America
The label is sometimes applied to Gary Smith, and nonfiction writers can extract some valuable lessons from his work.
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pg. 34 |
By
Liz Scheier
A former sci-fi/fantasy editor at Penguin and Random House describes the common writing and marketing errors that speculative-fiction authors make.
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pg. 36 |
By
Kris Saknussemm
A novelist known for his "mind-bending" originality takes aim at the most common of all literary aphorisms.
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pg. 38 |
Business Freelancing How to evaluate potential clients By
Robert W. Bly
In five simple steps, you can quickly determine whether or not a lead is worth pursuing.
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pg. 40 |
By
Tricia Despres
These assignments look like feature articles but promote a publication's advertisers.
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pg. 45 |
Literary Spotlight: The Cincinnati Review By
Melissa Hart This month's spotlight is on the somewhat whimsical literary journal The Cincinnati Review, describing its tone, contributors and editorial preferences. |
pg. 47 |
Departments Editors Note Give it your best shot |
pg. 6 |
Letters Take Note Get involved: Play an active part in the writing community By
Lori A. May, others
How to get involved in the writing community, an organization founded to promote the art and craft of biography, plus other literary notes, Stephanie Dickison's regular bimonthly column about freelancing, an excerpt from a new writing book, and more.
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pg. 8 |
WriteStuff Insiders discuss writing for the screen By
Chuck Leddy, Elfrieda Abbe, Melissa Hart Reviews of Tales From the Script: 50 Hollywood Screenwriters Share Their Stories, edited by Peter Hanson and Paul Robert Herman; Illuminating Fiction: Today's Best Writers of Fiction, edited by Sherry Ellis; and Writers and Their Notebooks, edited by Diana M. Raab. |
pg. 42 |
Market listings Writing contests
Compiled by Martha Lundin
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pg. 48 |
How I write By
Elizabeth King Humphrey For Elizabeth Flock, author of Me & Emma and other novels, writing "goes to the core of who you are." |
pg. 58 |
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