Five writers share processes for developing frameworks that allow stories to stand on their own.
Novelist Hannah Pittard reads her work aloud to establish a graceful rhythm and evocative mood.
When it comes to adding significant plot lines to your novel, you don’t want too many, or too few.
“You have to have a lot of faith in yourself when you’re writing a book.”
Ward found out the hard way that writing memoir is a very different experience from creating fiction, and that it is something she’ll never attempt again. Memoirists and novelists alike will find something of value in Ward’s thoughts on her latest work.