Sloane Crosley: How I Write

“All writing is founded in memory, no matter what kind.”

Stephanie Powell Watts: How I Write

“I could write 30 pages of how a character meets another character and not wind up using any of it, but I’ll get to know that character. No writing is wasted.”

Jillian Medoff: How I Write

“I start with a block of words that I carve and carve and carve until I find the simplest and most powerful way to move the narrative along.” 

Terese Mailhot: How I Write

“What I wrote was deeply triggering for me, but I couldn’t arrive at the place I am now if I didn’t see on the page what happened to me.”

Joe Tone: How I Write

“What I am at my core is a journalist and a reporter, and I’ve always been drawn to stories that require a lot of reporting and research.”

Rachel Khong: How I Write

“What compels me are the books that can seamlessly balance humor with sadness. I think each sharpens the other.”

Amulya Malladi: How I Write

“I am a character-driven writer, and I believe that once you define a character, they tell their story.”

Malinda McCollum: How I Write

“It’s also a mysterious and sometimes maddening place to me, especially in recent years, with the state’s political shift toward bombast and bigotry.”

Gretchen Rubin: How I Write

“To me, all my books are about human nature.”

Julie Buxbaum: How I Write

“It’s important to write about things that matter to you and scare you.”

Julia Goldberg: How I Write

“Craft and technique can sustain and improve the drive to tell a story.”

Mike Rowe: How I Write

“I’ve never had much luck trying to please a specific audience. I write for myself, in the hope that enough people will be interested and amused by the same things that interest and amuse me.”

Jess Riley: How I Write

“Self-publishing allows for more experimentation in terms of genre, and I love how it feels so democratic.”

Joseph Bathanti: How I Write

This poet’s art has been largely inspired by his work in prisons.

Ian Purkayastha: How I Write

“In my everyday life, I’m pretty private and reserved, so the hardest part was taking personal emotion and putting it on the page. “

Matthew Norman: How I Write

“I tend to see the world through a humor lens. I use it as a defense mechanism. That may be a personality flaw, but it makes me the writer I am.”

Robin Stratton: How I Write

“Writers are inspired when they are in the company of other writers; the energy and enthusiasm makes them want to go home and write.”

Ken Pisani: How I Write

“If I’m just writing jokes, that’s not very gratifying. I want to find human truths. “

Anthony Varallo: How I Write

“The reader reads for dialogue more than anything. The writer’s habit is to describe, but the reader would rather hear the character.”

Kirstin Valdez Quade: How I Write

The writer has gained much attention and praise for her short story collection, Night at the Fiestas.

Ron Rash: How I Write

“When there is violence in my work, the goal is not to titillate but to reveal character. It reveals the mask of that person, and we see who he or she really is when that mask is dropped.”

Julie Murphy: How I Write

“The key to nailing the YA voice is remembering that teens aren’t the aliens we so often make them out to be.”

Etgar Keret: How I Write

“I see my stories like explosions. They come from the gut and come out short.”

Adam Silvera: How I Write

“I don’t ever see any character as 100 percent good or 100 percent evil.”

Jill McCorkle: How I Write

“There’s no better teacher than reading and reading and reading. Find a story you love, take it apart, reassemble, and look at the way it’s put together.”

Agent/author Regina Brooks gives advice for authors

As founder and president of Serendipity, a boutique literary agency, Regina Brooks dedicates her skills and years of experience to helping a diverse client base get their work published.

Angela Flournoy: How I Write

“No outside pressure could live up to the pressure I’ve always put on myself as a writer.”

Stephanie Danler: How I Write

For the first time since she was 15 years old, Stephanie Danler is no longer working in a restaurant. Thanks to a two-book deal with Knopf, she’s now able to devote herself full time to writing.

Katherine Heiny: How I Write

“I grew to love the challenges and rewards of the short story – the way you have to be precise and condensed and make every word count.”

Jonathan Evison: How I Write

“My job is to jump through that empathic window and report on the human condition. Period.”

Sam Kean: How I Write

“Once you have a good story, the science will take care of itself.”